- 52
Marius Borgeaud
Estimate
30,000 - 50,000 CHF
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Description
- Marius Borgeaud
- SALLE À BOIRE DE LA CROIX-VERT À MORET,1909DRINKING ROOM AT THE LA CROIX-VERT IN MORET, 1909
- Unten rechts signiert und datiert
- Öl auf Leinwand
- 60 x 73 cm
Provenance
Galerie Vallotton, Lausanne, Nr. 9196
Privatbesitz, Schweiz
Privatbesitz, Schweiz
Exhibited
Lausanne, Musée cantonal des beaux-arts, Marius Borgeaud, 1962, Nr. 5 (Intérieur d'auberge)
Berlin, Ausstellung im Hause der Galerie des 20. Jahrhunderts, 5 Waadtländer Künstler, 1968, Nr. 32 (Gaststube)
Pully, Musée de Pully, Exposition Marius Borgeaud, 1981, Nr. 10 (Intérieur d'Auberge)
Martigny, Fondation Pierre Gianadda, Exposition Marius Borgeaud, 2001/2002, Nr. 13
Berlin, Ausstellung im Hause der Galerie des 20. Jahrhunderts, 5 Waadtländer Künstler, 1968, Nr. 32 (Gaststube)
Pully, Musée de Pully, Exposition Marius Borgeaud, 1981, Nr. 10 (Intérieur d'Auberge)
Martigny, Fondation Pierre Gianadda, Exposition Marius Borgeaud, 2001/2002, Nr. 13
Literature
Marius Borgeaud, Ausstellungskatalog, Lausanne 1962, Tf. 3, abgebildet
Edith Carey/René Berger/Jacques Dominique Rouiller/Pier-Alain Tâche/Claude Vallotton, Marius Borgeaud, Poète de la lumière et magicien de la couleur, Denges 1993, S. 40, abgebildet (in Farbe)
Bernard Wyder, Marius Borgeaud, l'homme, l'oeuvre, 1861 - 1924, Catalogue raisonné, Lausanne 1999, S. 67, Nr. 52, abgebildet, (in Farbe)
Marius Borgeaud, Ausstellungskatalog, Martigny 2001/2002, S. 25, Nr. 13, abgebildet (in Farbe)
Edith Carey/René Berger/Jacques Dominique Rouiller/Pier-Alain Tâche/Claude Vallotton, Marius Borgeaud, Poète de la lumière et magicien de la couleur, Denges 1993, S. 40, abgebildet (in Farbe)
Bernard Wyder, Marius Borgeaud, l'homme, l'oeuvre, 1861 - 1924, Catalogue raisonné, Lausanne 1999, S. 67, Nr. 52, abgebildet, (in Farbe)
Marius Borgeaud, Ausstellungskatalog, Martigny 2001/2002, S. 25, Nr. 13, abgebildet (in Farbe)
Condition
Not relined.
Canvas slightly loose. Faint Craquelures in the varnish. Mild surface cleaning recommended.
Minuscule paint loss in the table to the middle of the painting. Small, retouched paint loss above the B in the signature. Crazing to the right.
Minor craquelures in slightly opaque varnish.
Older retouchings in in the area of the window visible under uv-light.
Good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."