German School, circa 1540

The panel support consist of a single uncut and uncradled oak panel, which has a very slight convex bow. The painting is now a little dirty and the varnish layer a little yellowed. The paint surface is in beautiful fresh condition for a panel of this date. The flesh tones are almost entirely intact and the only old restoration detectable under ultra violet is to some strengthening of the folds of the black coat and to some old losses in the upper left and upper right background. The outline of a hat originally worn by the sitter can be discerned in the paint layers. This lot is offered in a later parcel gilt and painted wood frame in good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

The dendrochronology report (dated October 2012, available from the department) on this intriguing pair of portraits (for the pendant see the following lot) suggests a felling date of circa 1530.  Both panels are derived from the same single tree sourced in the eastern Baltic.