L13402

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Lot 440
  • 440

Mozart, Wolfgang Amadeus

Estimate
8,000 - 10,000 GBP
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Description

  • Mozart, Wolfgang Amadeus
  • Sonate pour Le Fortepiano, ou Clavecin avec Accompagnement d'un Violon [parts], Vienna: Hoffmeister, [1786]
  • paper and ink
first edition of the Sonata in E flat for violin and piano, K. 481 (Haberkamp's first issue), 17 (piano) and 5 (violin) pages, oblong 4to and 4to (24.3 x 33cm and 32.9 x 24.2cm, respectively), engraved throughout, plate number 28, stitching holes, disbound, trimmed, a few leaves of the piano part trimmed to plate at upper margin, some very light browning to title

Literature

Hirsch, iv 90; Haberkamp, pp.244-245; RISM M 6543

Condition

Condition is described in the main body of the cataloguing, where appropriate.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Rare. This edition has not appeared complete in these rooms since 1959. Haberkamp lists 11 copies, all of which are now in public institutions.

The Sonata in E flat is one of Mozart's greatest works for violin and piano, a combination that inspired Mozart to produce some of his most expressive music. Entered by the composer in his composition catalogue, the Verzeichnüss, under the date of 12 December 1785, the circumstances of the sonata's composition are unfortunately shrouded in mystery. A particular highlight of the work is the sublime Adagio in A flat, containing a celebrated harmonic excursion to A major.