- 73
Gieve Patel (b. 1940)
Estimate
35,000 - 55,000 USD
bidding is closed
Description
- Gieve Patel
- Shipbuilding in Mumbai
- Inscribed, dated and signed "Shipbuilding in Mumbai" (2005)/ Gieve Patel acrylic' on reverse
- Acrylic on canvas
- 70 by 120 in. (177.8 by 304.8 cm)
- Painted in 2005
Provenance
Acquired from Bose Pacia Gallery
Condition
This painting has been lightly cleaned. In good condition, as viewed.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
Throughout his career, Gieve Patel’s simultaneous practice as a doctor, painter, poet, and playwright has created a unique perspective on the urban life in Bombay, the city form which he hails. His paintings very often depict common people in the city, imbuing them with a keen moral sense. Since the 1970s, he has painted in an expressionist style, and achieved a balance between intimacy and detachment from his subjects. This horizontal panoramic work recalls some of Patel’s earliest masterworks from the early 1980s, but also shows an even finer regard for the human condition. In spite of Mumbai’s rapid development in recent decades, Patel focuses this work on an industry that is the backbone of this maritime city. Interestingly, he chooses to portray a traditional moment and basic type of ship in spite of the industry’s current global aspirations. Patel’s work maintains a timeless and universal appeal that reflects his seminal stature among India’s modern artists.