- 17
Bikash Bhattacharjee (1940-2006)
Estimate
40,000 - 60,000 USD
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Description
- Bikash Bhattacharjee
- Untitled
- Signed 'Bikash '90' lower right
- Oil on canvas
- 46 by 41 3/4 in. (116.9 by 106.1 cm)
- Painted in 1990
Exhibited
The National Gallery of Modern Art, Footprints of a Tryst, Mumbai, June 1998
Condition
Please note the revised detailed cataloguing for this painting.
There is hairline craquelure in the dark paint in the upper right corner, consistent with thickly applied paint. This work is in good condition, as viewed.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
Bikash Bhattacharjee's work was particularly steeped in the culture and imagery of Calcutta; this painting depicts ritual purification in the river Ganges, a central element of the life and rhythms of the city. The partial figure on the upper left holds a bag of flowers which will be immersed in the holy waters as an offering while the sari clad figure depicted in the foreground with water running off her head and shoulders, has just emerged from a ritual dip meant to cleanse and purify both body and soul.