Cheong Soo Pieng

The work is in good condition overall, as is the paper, which is free from creases. There is light wear and handling around the edges of the painting, along with associated faint scratches on the margins (top left corner). Upon close observation reveals evidence of pin-sized foxing, predominantly located on the bottom register and sprinkled along the margins. Under ultraviolet light examination reveals no evidence of retouching. Framed, under Plexiglas.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Cheong Soo Pieng did not associate himself with just one particular style of painting, but rather, exposed himself to different genres of art. He skillfully paired influences from both the East and West in his paintings which created a unique and ever changing style of his own, challenging other Modern artists in Southeast Asia at that time.

A Village in China, painted at an early stage of his career was inspired by Xiamen, a city on the Southeast coast of China where Cheong was born and raised. His imaginative use of colour as well as technique breaks through the barriers of the traditional and brings forward something that is visually fresh, yet familiar to us. The red ink bursts with colour, bringing our attention to the boat, the blue and green trees leap out with a sense of motion and excitement. The artist’s vision is instantly brought through the piece by his bold and confident use of colour.  Simultaneously, he is capable of capturing the beauty of the lush yet humble landscapes of the village.