Léo Craste

The work is in good condition overall, as is the paper which is free from creases. Indication of light wear and handling is evident around the edges of the painting inherent to the framing process, but the paint layers are well-preserved. Under ultraviolet light reveals no evidence of restoration. Framed, under Plexiglass.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

The French aquarellist painter Leo Craste was a member of the Colonial Society of French Artists, and a regular writer and illustrator for many newspapers. He worked for the famous printed periodical, "Bulletin des Amis du Vieux Hue", that discussed the Vietnamese culture, society and history. The publication was only published during the first forty years of the 20th century.

This large-sized watercolor depicts the sampans gathered together on the boat quay of the Chinese arroyo in Saigon, which is now known as Ho Chi Minh City. Leo Craste's harmonious and accurate composition evokes a moment of effervescence, and the daily lives of ordinary people. The painting is of an area that at the time was called "The Pearl of Far East", and is a region that still resonates with viewers today.