L13004

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Lot 158
  • 158

Johan Barthold Jongkind

Estimate
30,000 - 50,000 GBP
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Description

  • Johan Barthold Jongkind
  • La Campagne Nivernaise
  • signed Jongkind and dated 1873 (lower left)
  • oil on canvas
  • 40.2 by 65.2cm., 15¾ by 25¾in.

Provenance

A. Renaud
Arthur Tooth & Sons, London
The 9th Earl of Jersey, Jersey (acquired from the above on 5th November 1951)
Thence by descent to the present owners

Exhibited

London, Arthur Tooth and Sons, Recent Acquisitions, 1951, no. 18

Literature

Victorine Hefting, Jongkind, sa vie, son oeuvre, son époque, Paris, 1975, no. 603, illustrated p. 243 (titled Paysage Nivernais (Dauphinoise))
Adolphe Stein, Catalogue critique de l'œuvre de J.B. Jongkind, Paris, 2003, vol. I, no. 703, illustrated p. 269

Condition

The canvas has been relined. Ultraviolet light reveals some minor old retouching, notably some strokes in a circa 3 by 10 cm area near the centre of the lower edge. The work is overall in good condition. Held in a decorative gilt frame, with a nameplate. The colours are less yellow than in the catalogue illustration, the blue in the sky deeper, and the foreground tones lighter.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Jongkind first visited the region around Nevers, in western Burgundy, in 1861 with his 'bon ange' Joséphine Fesser, whom he had met the previous year. The artist returned to the area regularly with Mme Fesser and her family over the next fifteen years, sketching and painting.