A pair of Louis XVI ormolu, patinated bronze and white marble three-light candelabra circa 1775

Marble with minor abrasions, chips and surface dirt. Ormolu with oxidation and surface dirt. One lacking one small rose branch from front. Patinated bronze with some rubbing.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

The figures of this candelabra are basically identical to those shown in a sketch appearing in a 1761 livret of Gabriel de Saint-Aubin. The drawing depicts plaster models for candelabra by Falconet, exhibited at the Salon in 1761, see Hans Ottomeyer and Peter Pröschel, Vergoldete Bronzen, Munich, 1986, Vol. I, p. 254, fig. 4.7.1. These bozetti were intended to be cast in silver by the famed silversmith Germain. The model was also executed by bronziers such as Boudet. Ormolu candelabra of this model were sold Christie's New York, November 2, 2000, lot 160; Christie's New York, October 18, lot 650; and a pair formerly in the collection of Sara Jane Pansa, sold Sotheby's New York, November 8, 1985, lot 9. Most recently, a pair of ormolu candelabra incorporating these figures was sold Sotheby's New York, October 26, 2012, lot 191. A pair of candelabra of this model is at Versailles (Vmb 1005), while another with Nymphs identical to those in this lot but with simpler candle branches is in the Residenz, Munich, see ibid., fig. 4.7.3.