- 1450
Liu Yong (b.1949)
估價
250,000 - 300,000 HKD
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招標截止
描述
- Liu Yong
- SWALLOWS BY SPRING BLOSSOMS
- ink and colour on silk, framed
signed LIU YONG, dated gui si, 2013, inscribed, and with five seals of the artist
Condition
- Generally in good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
拍品資料及來源
註：本幅乃畫家以獨到的「雙反托」畫法創作，「雙反托」是指利用絹的
透明性，除了在正面繪畫，也在絹的背面強調，使花能顯得剔透，鳥
又表現得實在。此外還有一層「反托」，是畫一張遠景放在絹後，造成
三度空間的效果。
垂櫻的花瓣和樹幹用了「撞粉法」，並且表現清風吹拂向左飄擺的動
態。兩隻燕子一正一反巧妙地從枝條間掠過。在構圖上花鳥交織，婀
娜多姿融為一體，是集合各種畫法的精心之作。
透明性，除了在正面繪畫，也在絹的背面強調，使花能顯得剔透，鳥
又表現得實在。此外還有一層「反托」，是畫一張遠景放在絹後，造成
三度空間的效果。
垂櫻的花瓣和樹幹用了「撞粉法」，並且表現清風吹拂向左飄擺的動
態。兩隻燕子一正一反巧妙地從枝條間掠過。在構圖上花鳥交織，婀
娜多姿融為一體，是集合各種畫法的精心之作。