- 364
David Noonan
Estimate
12,000 - 18,000 GBP
bidding is closed
Description
- David Noonan
- Untitled
- screenprint on birch plywood
- 188 by 268cm.; 74 by 105 1/2 in.
- Executed in 2006, this work is number 1 from an edition of 1.
Provenance
Hotel Gallery, London
Acquired directly from the above by the present owner in 2008
Acquired directly from the above by the present owner in 2008
Exhibited
London, Saatchi Gallery, Out of Focus: Photography, 2012
Condition
Colour:
The colours in the catalogue illustration are fairly accurate, although the overall tonality is much lighter and warmer in the original.
Condition:
This work is in very good condition. There is wear to lower extreme edge and corner tips. Upon close inspection, there are a number of tiny nicks along the top extreme edge.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
Reminiscent of early film stills, David Noonan’s works inhabit a world of mystery and illusion in which narrative is delicately suggested rather than definitively expressed. Formed of fascinating amalgamations of disparate photographs and film footage which is then transferred onto a canvas or wood ground through screen printing, Noonan’s images are imbued with a curiously timeless quality through their colourless tones and startling combinations of people and places. Melissa Gronlund argues that: “Noonan explores a state of what might be called temporal exile: hangovers from the past in the present, folk symbols whose meanings are forgotten and, in a more general way, the lingering nostalgia for a grandeur lost before our time” (Melissa Gronlund, ‘Future Greats: David Noonan’ in: Art Review, March 2007, p. 79). Untitled encapsulates these distinctive features to powerful effect: spectral figures seem to float across the eerie scene, as though engaged in some form of ritualistic dance, whilst bare tree branches appear to cast dramatic shadows across the image; and the result is a work of disquieting yet poetic beauty.