- 434
A fruitwood inlaid tulipwood, amaranth, stained scycamore and marquetry writing table stamped N. Grevenich Louis XVI, late 18th century
Estimate
12,000 - 18,000 GBP
bidding is closed
Description
- tulipwod, amaranth, oak, sycamore, gilt-bronze
- 77cm. high, 48.5cm. wide, 32cm. deep; 2ft. 6¼in., 1ft. 7¼in., 1ft ½in.
with a three-quarter gilt-bronze galleried top centred by a ribbon-tied oval medallion depicting the Arts on a trelliswork ground, the sides with ribbon-tied musical trophies, the back with a roundel and floral sprays on square tapering legs joined by a rectangular shelf inlaid with a foliate motif, the whole inlaid with cube parquetry enclosing flowerheads
Provenance
Maurice Ségoura, Paris
Condition
In overall good conserved condition. The gilt bronze gallery is possibly later as are the mounts. The detail to the marquetry is most attractive. The back and left side when facing is a little faded and would benefit from a repolish according to taste. There is evidence that the top drawer origianally had a inset flap for writing.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
Nicolas Grevenich (1735-1820), maître in 1768, worked in rue du Bac and subsequently Quai Malaquais, where he enjoyed an excellent reputation. In1791, he received a commission for screens for the Tuileries palace. He continued working until the early years of the Empire period mainly in the Louis XVI or Transitional style. He was known for his elegant and restrained pieces made with great precision and his style of Transitional commodes was similar to that of the celebrated ébéniste Charles-Claude Saunier.