- 433
A French gilt-bronze-mounted fruitwood and green stained sycamore inlaid bois satiné, amaranth and parquetry commode by Maison Krieger, Paris, after the celebrated model by R.V.L.C. for the Comtesse d'Artois at Versailles In Louis XV/XVI Transitional style, last quarter 19th century
Description
- gilt-bronze, fruitwood, sycamore, bois satine, amaranth, oak
- 95cm. high, 139cm. wide, 60cm. deep; 3ft. 1½in., 4ft. 6¾in., 1ft. 11¾in.
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
Denise Ledoux-Lebard, Les ébénistes du XIXe siècle, 1795-1889, Paris, 2000, p.395-398.
Clarisse Roinet, Roger Vandercruse dit La Croix, Paris, 2000, p. 85.
This fine commode is after the celebrated model delivered by Gilles Joubert, on 8th November 1773, for the bedchamber of the Comtesse d'Artois at Versailles attributed to RVLC (now in Floors Castle, Scotland, home of the Duke of Roxburghe), illustrated by Roinet, op. cit., p. 85.
The offered commode is a faithful late 19th century reproduction by Maison Krieger which was founded by Antoine Krieger and his brother Nicholas, who started working in Paris around 1826. His first premises was at 17, rue Saint-Nicholas and in 1838, he moved to 76, rue du Faubourg Saint-Antoine. In 1850, his firm became known as Antoine Krieger et Cie., before he passed it on to his son-in-law and other successors. The furniture and objets d’art produced and exhibited by Krieger for almost an entire century were of different styles but all of the highest quality