A set of 6 Meissen porcelain two-handled cups and saucers circa 1740

reserved with figures in landscape and harbour scenes within elaborate gilt, puce and iron-red Laub-und-Bandelwerk, the handles and rim picked out in gilding, underglaze crossed blue swords marks and gilder's mark 50, together with a milk jug and cover, circa 1740, reserved with figures in riverside scenes within gilt cartouches and puce and iron-red Laub-und-Bandelwerk, further painted with Indianische Blumen, gilt spout and final, crossed sword marks in blue enamel and gilder's mark V 

Overall minor wear to gilding, the milk jug with minute chip to spout.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

The collection was built by Dr Anton (Tonio) von Riedemann and his wife Marie-Harriet (May).  Tonio was the son of Wilhelm Anton Riedemann (1832-1920), a German businessman, entrepreneur and pioneer of the tanker industry, who merged his company with the Rockefellers’ Standard Oil Company  in 1863. The family was ennobled in 1917 by Emperor Wilhelm II. I n 1921, Tonio and May acquired the estate of St Charles Hall in Meggen (Swizterland) with its picturesque view on Lake Lucerne, and commissioned the architect Albert Frölich to build an entirely new Baroque style villa with the most modern technologies. Marie-Harriet, the daughter of a successful American lawyer, collected paintings Chinese and European porcelain and works of Art, and insisted on designing the vitrines in the St Charles Hall herself. After she passed away in 1933, the collection was dispersed among the heirs, a Madonna and Child by Maerten van Heemskerck going to  the National Gallery, Washington, while the house was  acquired in 1947 by Paul and Gertrud Fischbacher-Labhardt. It is now managed by a trust which has converted it into a venue for concerts and weddings.