Sir Edward John Poynter, Bt., P.R.A., R.W.S.

Fine Art Society, London, where purchased by the previous owner in 1966, by whom gifted to the present owner

STRUCTURE This picture is in good condition with strong colours. The paper is flat. There are small surface abrasions along the lower edge. FRAME This picture is contained in a simple gilt frame.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Painted at the height of the popularity of the Aesthetic Movement in the 1860s, The Book of Sonnets captures the romantic mood that was parodied in Gilbert and Sullivan's opera Patience. The movement was embodied in the fascination with love-poetry, collecting blue-and-white china, ebonised furniture and its followers' whimsical costumes - all elements that are embodied in Poynter's watercolour. Although Poynter is best known as a painter of classical mythology and genre, he was a significant member of the Aesthetic Movement in the 1860s. Another picture in this idiom is The Peacock Fan of 1864 (sold in these rooms, 15 November 2011, lot 49). A drawing for the female figure in The Book of Sonnets is reproduced in Malcolm Bell's Drawings of Sir E.J. Poynter.