L13223

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Lot 97
  • 97

A miniature of Abdülmecid I (r.1839 - 1861) in a diamond- and ruby-set frame, second half 19th Century

Estimate
8,000 - 10,000 GBP
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Description

  • watercolour, diamonds, gemstone, gold and silver
the watercolour set in a round gilt frame mounted with a row of diamonds to each side, leafy scrolls to top and bottom, featuring a ruby stone to top and bottom, with hook above

Condition

In good condition, as viewed.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

The present portrait is in the style of mid-nineteenth-century portraits of Sultan Abdülmecid drawn by Jean Portet and Josef Manas. It belongs to a small group of miniatures better known as tasvir-i humayun. The closest example, painted by Jean Portet in 1850, is in the Topkapi Palace Museum (inv.no. 17/215), Istanbul (see Portrait of the Sultan, exhib.cat., Turkiye Is Bankasi, Istanbul, 2000, p.510). Sultan Abdulmecid's miniature portraits appear to follow the miniature portraits depicting his father Sultan Mahmud II (r.1808-1839). Spanish miniature painter Marras, who worked for Mahmud II, produced the earliest examples of miniature portraits for the Ottoman court. A miniature portrait of Sultan Mahmud II, signed Marras, is preserved in the Topkapi Palace Museum, Istanbul (17/208). The present miniature is a fine example of the tasvir-i humayun production both in terms of its dimensions and brush quality. The portrait is in its original frame bejeweled with diamonds and rubies.