- 14
A Persian quatrain, signed by Mir 'Ali al-Harawi, with Royal Mughal Illumination, India, Mughal, 16th century
Description
- ink on paper
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
Mir 'Ali al-Harawi studied in Herat and spent most of his life working as a scribe of firmans and then at the Royal Library of the Timurid Sultan Husayn Bayqara, from whom he received the title 'sultani'. After the death of the Sultan in 911 AH/1505 AD, he moved from Herat to Mashhad but later returned to Herat. After the capture of Herat by the Safavid ruler Shah Isma'il, Mir 'Ali worked under the patronage of Khwaja Karim al-Din Habibullah Savaji, the Minister to the Governor of Khurasan, Sam Mirza, a brother of Shah Tahmasp.
Mir 'Ali's calligraphies were not only treasured at the Persian court, but also at the Ottoman and Mughal courts, with Mughal princes eager to collect examples of his work. Indeed, the present quatrain can be compared to a number of further examples of Mir 'Ali's work in the Kevorkian Album in the Metropolitan Museum of Art, New York (sold in these rooms 12 December 1929). The quality and similarity of the illumination on the reverse of several album pages, including FGA 39.50b, MMA 55.121.10.33r and 5r suggest that the present calligraphy was once part of an Imperial Mughal album (see Welch et al 1987, pp.116, 157 and 214, nos.19, 36 and 65 respectively).