An illustration to a Ragamala series: a ragini of Hindol Raga, Deccan, Hyderabad, circa 1750-70

gouache heightened with gold on paper, margins ruled in silver, red outer margins decorated with gold scrolling flowers, framed

Sotheby's, London, 20 July 1977, lot 43

In good overall condition, horizontal cut at top with repair, as viewed.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

The nagari inscription on the reverse identifies the Ragamala as Hindol Raga, which Dallapiccola informs us is related to the spring (Glynn, Skelton and Dallapiccola 2011, p.19). The individual ragamala here is not identified, but many illustrations employ the composition of a female listening to music. Indeed, Ebeling mentions that the "combination of a female figure and a musical instrument is by far the most widely used iconographic formula in all of Ragamala Painting" (Ebeling 1973, p.251, no.255 (73)).

Another leaf from the same ragamala series was sold in these rooms, 2 July 1984, lot 162.