Louis Comfort Tiffany

Sotheby's New York, February 2, 1979, lot 440
Acquired from the above by Thomas H. Burkholder, Hollidaysburg, PA
Thence by descent to the present owner

Overall in very good condition. The original canvas remains in very good condition, with no evidence of restoration . The surface is in very good condition with two minute areas of paint loss to the lower center of the work. With some expected fine craquelure consistent with age. When examined under UV light, the surface shows no apparent areas of repainting. This work is presently mounted in a gilt wood frame. The frame with some minor surface scratches and abrasions, minor edge chips and some occasional rubbing to the gilt consistent with age. Please contact the department for a photograph showing the frame. A wonderful work with richly saturated colors in original condition.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

The present lot depicts a Mediterranean harbor at sunset.  Though the painting is not titled, the location appears to be the Grand Harbor of Malta's main port city, Valletta, as evidenced by the dome and towers of St. John's Co-Cathedral shown in the central background.  Malta was a popular destination for artists during the period of Tiffany's travels in the 1870s and 1880s, and it is likely that he visited Valletta.