S. Sudjojono

Acquired directly from the artist.

Jakarta, Japan Cultural Centre Jakarta (The Japan Foundation), Pameran Tunggal S. Sudjojono, April 21-28, 1981, exh, cat., no. 20

This work is in good condition overall. The canvas is clear and sound. There is evidence of minor wear and handling along the margins, a few spots of pin sized dirt accretion and paint loss (mainly on the black hair). Examination under the ultraviolet light does not reveal any sign of restoration. Framed.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

 Arjuna Sosrobahu (Lot 368) was acquired directly from Sudjojono by collectors from the United Kingdom who were friends of the artist and his wife, Rose Pandanwangi. The couple lived in Jakarta from 1978-1981 when he served as a diplomat with the British Embassy and his wife took painting lessons from Sudjojono. The two couples formed a friendship which continued until the artist's last years.

 

 

Lot 368 depicts the mythical king, Arjuna Sosrobahu, from the Mahabharata wayang lore, who is renowned as the king of all kings.  Incredibly powerful, he has a hundred heads and a thousand arms, each of which carries a magical weapon. Despite his supremacy and powers, however, Arjuna Sosrobahu is a lover of peace and a proponent of diplomacy. The painting itself, was exhibited in a solo show hosted by the Japan Culture Center, Jakarta (1981).

 

 

In 1981, the collectors acquired another painting by Sudjojono depicting Indonesia's first toll-road, the Jagorawi Tol, which was officially opened in 1978. The Jagorawi's etymological background comes from an acronym of the three areas that the highway connects: (Ja)karta, Bo(gor), and Ci(awi). The Lot 369 Jagorawi Tol (Jagorawi Tollroad), has a rather interesting genesis: the Jagorawi Tol painting was chosen to be featured in Bank Dagang Negara's 1982 calendar. During that time the collectors had already moved to Warsaw and had to send the painting back to Jakarta to be photographed.

 

 

The two works mark an interesting period in Indonesia's history and progress under the New Order government. Both express Sudjojono's penchant for placing his works in a historical context, but seeing them through the eyes of a visionary artist and international collectors make the paintings even more profound.