I Nyoman Masriadi

Christie's, Hong Kong, May 24, 2008, Lot 21

The work is in good condition overall, as is the canvas. There is minor wear and handling to the edges and bottom right margins, but the paint layers are well-preserved and stable. Under ultraviolet light inspection there is no evidence of restoration. Unframed, on stretcher.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

"Devious wit never strays far from Masriadi's canvases. Regardless of the messages embedded in each canvas, a sense of humour is always present. His canvases are delectable to apprehend precisely because Masriadi manages to raise them above the level of the everyday prosaic by finding in them a pertinence which escapes the observation of many."

DWI MARIANTO CITED IN MASRIADI: BLACK IS MY LAST WEAPON, EXH. CAT., SINGAPORE ART MUSEUM, 2008, P.66.