- 94
André Tommasini
Estimate
10,000 - 15,000 CHF
bidding is closed
Description
- André Tommasini
- AUTOUR DU VIDE IAROUND THE EMPTY I
- Signiert im unteren Teil auf der Innenseite
- Marmor
- 40 x 52 x 35 cm
Condition
Some minor irregularities in the marble.
In very good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
Entstanden 1993.
André Tommasini, ein Vertreter der lyrischen Abstraktion, arbeitete bei seinen Marmorarbeiten mit grösster ästhetischer Sorgfalt, stets nach einer ganzheitlichen Empfindung suchend, die sich mit der Reinheit der Form verbindet. Abgerundete Formen und glatte Oberflächen strahlen Kraft und Sinnlichkeit aus. Unser Werk aus der Reifezeit des Künstlers zeigt eine vollkommene technische Meisterschaft, eine Vollendung der Gestalt.
André Tommasini, ein Vertreter der lyrischen Abstraktion, arbeitete bei seinen Marmorarbeiten mit grösster ästhetischer Sorgfalt, stets nach einer ganzheitlichen Empfindung suchend, die sich mit der Reinheit der Form verbindet. Abgerundete Formen und glatte Oberflächen strahlen Kraft und Sinnlichkeit aus. Unser Werk aus der Reifezeit des Künstlers zeigt eine vollkommene technische Meisterschaft, eine Vollendung der Gestalt.