Apollonio Domenichini (formerly known as the Master of the Langmatt Foundation Views)

With Arthur Tooth, London.

The first (illustrated at the top in the catalogue) has a greener tonality in the sky, much more in line with the second. Otherwise the catalogue illustrations are representative. Both canvases have been relined and their paint surfaces appear to be in good overall condition with no apparent damage or loss of paint except for a very very minor old scratch stemming from top edge in the upper left in the second, which can be seen in the catalogue illustration. There is also what appears to be a yellowed varnish over both. Examination under ultraviolet light confirms the presence of the varnish which impedes further inspection however there is evidence of old retouching around the edges of both, and a few strokes of old retouching in the boats, however the pictures appear to be in remarkably good condition. Offered in matching discoloured gilt wood frames which appear to be in good overall condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

We are grateful to Charles Beddington for confirming the attribution to Apollonio Domenichini after first-hand inspection.