Giulio Pignatta

The picture is slightly more muted than the catalogue illustration would suggest. The canvas appears to be unlined and the signed and dated paint surface appears to be in good overall condition. There are minor scattered flake losses mainly concentrated in the lower peripheral areas as caused by an old craquelure, and two losses in the sitter's cuff most probably caused by a knock. There also appears to be a varnish and surface dirt overall in keeping with the paintings age. Examination under ultraviolet light reveals extensive retouching, mainly to the darker pigments throughout the background. It also reveals retouching to what appear to be three or four old vertical tears in the lower left., the largest measuring approx. 33 cm. There is also more minor retouching throughout the sitter's face and costume and strengthening to his cuff and the hair above his left shoulder. Offered in a gilt wood frame with scattered losses and woodworm.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Also known as Pignata or Pignatti, the artist was active as a portraitist in Florence and in his native Modena.