The Pseudo-Guardi

Both pictures appear to be richer in colour and slightly lighter in tone than the catalogue illustrations would suggest. The canvases are coarse in weave and have been relined however the impasto remains intact in both. The paint surface appears to be in good overall condition with no apparent damage or loss of paint, however in both the darker pigments of the background landscapes and plinths have abraded slightly as can be seen in the catalogue illustrations. Inspection under ultraviolet light reveals a yellowed varnish and retouching throughout the sky in both pictures. There is also localised minor retouching to the canvas edges and to the aforementioned abrasion, however the principal parts of each i.e. the flowers, appear to be relatively untouched. offered in matching carved gilt wood frames on good overall condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Please note that after having inspected the paintings in the original Dott.ssa Maria Silvia Proni plans to publish this pair of still lifes in a detailed study on the Pseudo-Guardi.