L12040

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Lot 185
  • 185

John Linnell

Estimate
3,000 - 5,000 GBP
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Description

  • John Linnell
  • Study of trees at Bayswater, London
  • Watercolour over traces of pencil;
    signed, lower right: J.L. 1811 12 - Bayswater

Condition

Although some of the more delicate pigments have faded a little, the image remains strong and bold. There is evidence of minor foxing to the sheet and there is some minor surface dirt. There are several creases within the surface of the sheet, however these can only be seen on close inspection. The sheet has not been laid down, instead it is attached at several places verso. For further information on this lot please contact either Mark Griffith-Jones (0207 293 5083) or Emmeline Hallmark (0207 293 5407).
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

From 1809 John Linnell based himself in the Edgware and Bayswater areas of London. He firstly shared lodgings with William Mulready (1786-1863) in Kensington Mall (now the Bayswater Road), before moving, in 1811, to a flat off the Edgware Road, at 11 Queen Street. At this time, these areas were rural and were frequented by Londoners seeking fresh air and a retreat from the busy city. As is characteristic with many of Linnell's studies from this period, the present work demonstrates his intense interest in nature. The trees and path are indicated by colour and light, while the sketch has an atmosphere of a plein air study. This watercolour can be compared, in terms of size and date, with Linnell's An Apple Tree (British Museum).