Adrien Jean Le Mayeur de Merprès

Christie's Singapore, October 6, 1996, Lot 218

The work is in good condition overall, as is the canvas. There is evidence of minor wear and handling along the margins, but painting layers and impastos are well-preserved. There are soft and stable craquelures on the right figure's back, which is only apparent upon close observation. Examination under the ultraviolet light shows no indication of restoration. This work is accompanied with the artist's original frame.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

“Usually he renders impressions of women in various attitudes. These return again and again: standing figures with upstretched arms or with a shawl draped over one arm, or seated figures inclining on one arm, shaded by an umbrella. In the composition the figures are positioned in little groups of two, three or more, without giving evidence of any signs of interaction. The painter observes the scene in an objective manner… Detail, in the form of flowers and leaves starts to become more important. An intense and subtle use of colour in combination with sparkling light effects remains his main force. Although his work depicts daily life in Bali, he is still an exponent of late European impressionist, which favours a gentle, earthy palette of yellow, brown, beige, and soft blue which is contrasted to red, pink, orange, and purple accents. This results in considerable dynamic tension.”

JOB UBBENS AND CATHINKA HUIZING, 1880 – 1958 ADRIEN JEAN LE MAYEUR DE MERPRÉS PAINTER-TRAVELLER/SCHILDER-REIZIGER, WIJK EN AALBURG, P.127