Le Pho

The work is in good condition overall. Upon close observation, indication of minute holes and scuffs on the silk, along the top edges and middle right margin, as well as two minute spots on the female figure. There is a faint hairline scratch on the head of the female figure. Evidence of light foxing is scattered throughout the surface, mainly on the faces of the figures. Under ultraviolet light inspection, there is no evidence of retouching. Framed, under Plexiglass.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Graduating three years earlier from the École des Beaux Arts d’Hanoi, Le Pho explored the dialogue between Eastern and Western traditions in Vietnam, paving the artist as the distinguished 20^th century Master of Vietnamese silk painting. Specializing in semi-Impressionist studies of figures and flowers, Le Pho’s profound and subtle beauty is stirred by delicacy and fluid transparency of color. Silk as the artist’s preferred medium, is a blend of Oriental artistry and influence of Western art.

La Petite Famille (The Small Family) (Lot 269) demonstrates Le Pho’s dedication and commitment of both East meets West traditions. Through his magnificent silk paintings, with a gentle and rich texture, he denotes love and affection through the delicate and ravishing watercolors, tracing every characteristics of his forte and exploring the relationship between la petite famille.  

“In his family scenes, his paintings of mothers, Le Pho transmits to us the finest of human sentiments and sensations, the poetry of intimacy of light, of woman’s beauty and woman’s maternal tenderness, the charm of children. He barely outlines the models he uses by means of undulating lines and by subtle tones, with unvarying transparency, a delightful movement and a sure touch. The yellows and greens he employs for his decorative backgrounds lend an exquisite touch of life and movement. They are gracious evocations of joy, of happiness, of refined spirituality and the utmost sensitivity.”

PARIS NORMANDIE CITED IN LE PHO BIOGRAPHY, FINDLAY GALLERIES, INC., FEBRUARY 22, 1966.