Lot 91
  • 91

Nusra Latif Qureshi (b. 1973)

Estimate
6,000 - 8,000 USD
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Description

  • Nusra Latif Qureshi
  • Familiar Memories II
  • Signed, dated and inscribed '2005 12/ Familiar Memories - II/ Melbourne 2005/ (April)' on reverse
  • Opaque watercolor on wasli
  • 11 by 8 1/4 in. (28 by 21 cm.)

Provenance

Acquired from Canvas Gallery, Karachi

Condition

Good overall condition. Background color is more green and less turquoise than it appears in the catalogue illustration.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

Born in Pakistan and trained in the traditional techniques of Mughal miniature painting, Nusra Latif Qureshi migrated to Australia in 2001 to pursue of her postgraduate study in art. The present work, Familiar Memories II, portrays a traditional female miniature figure imbued with a powerful element of surrealism via her modern salweer kameez and atypical choice in background flora. While the woman is rendered with intricate verisimilitude, Qureshi articulates the backdrop an uncustomarily thick and pervasive cerulean blue that extinguishes the boundary between the ground and the sky.

Virginia Whiles writes of the artist: “Ardently committed to the miniature tradition as a living practice, [Qureshi] plays with its formal conventions, stripping down any unnecessary ornament with the same intellectual rigour she applies to deflating officious rhetoric,” (Whiles, Art and Polemic in Pakistan: Cultural Politics and Tradition in Contemporary Miniature Painting, London, 2010, p. 90).