L12222

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Lot 52
  • 52

Hari Ambadas Gade

Estimate
15,000 - 20,000 GBP
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Description

  • Hari Ambadas Gade
  • Untitled
  • Signed and dated 'GADE/ 79' lower left
  • Oil on canvas
  • 106.7 by 88.9 cm. (42 by 35 in.)

Condition

In good condition, as viewed. The colours in the work are lighter in reality.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Hari Ambadas Gade's focus on abstract expressionism set him apart from his other contemporaries, although Sayed Haider Raza's work did eventually shift from the figurative to the abstract. Also unlike most of the other founding members of the Progressive Artist's Group, Gade chose to stay in India and used the landscape and the villagers as his inspiration.

This present work is a prime example of Gade's landscapes, painted in a Fauvist manner, from which he drew his stylistic inspiration. 'The juxtaposition of colour, with its emotive functions, is my primary concern; I receive my pictorial experience through color, with all its technical and spatial attributes.' (Gade rpt. Krishnan, Gade, Bombay, 1961) This intense landscape painted with grey, brown and green hues are accented with rich orange tones; 'The subtle shifts of colour, particularly in his oil paintings, create a rich texture with irradiates a glow from within...the somber complimentary [colours] that create depth of paint suggesting endless landmass are invoked by Gade, a textured surface that irradiates further to add to its abundant quality'.(Yashodhara Dalmia, The Making of Modern Art: The Progressives, Delhi, 2001 p.179)