- 34
Maqbool Fida Husain
Description
- Maqbool Fida Husain
- Untitled
- Inscribed 'no. 22/ Hand painted painting/ From RAVI KUMAR/ 11 Sunder Nagar/ New Delhi (INDIA)' on reverse
- Oil on canvas
- 134 by 52.5 cm. (52¾ by 20¾ in.)
Provenance
Gifted by the artist to Ravi Kumar of Kumar Gallery New Delhi in 1959. From 1969 onwards the painting was kept with Mr Kumar's relatives in the UK
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
During the early 1950s, Husain's subjects were sourced from "the ordinary life around him." (Richard Bartholomew and Shiv S. Kapur, Husain, New York, 1972, p. 36). Often ridden with activity and movement, these works are characterised by strong and dynamic lines. Jain miniature paintings as well as Chinese calligraphy impacted Husain's style and is apparent in the execution of this work. The 'Basholi school' of painting, prominent in the late seventeenth and early eighteenth centuries also influenced Husain into utilising strong and clear patches of colour in his works. The donkeys, naga (serpent), cows and grassland all convey a picture of rural Indian life, a traditional theme of Husain's at the time. The combination of these pastoral symbols create a uniquely striking composition.