Silver, Gold and Diamond Bracelet, Mario Buccellati, Circa 1925

The articulated strap of openwork design, the rectangular panels set with numerous rose-cut diamonds weighing approximately 4.00 carats, length 7¼ inches, signed M. Buccellati. With signed box.

In very good condition considering the bracelet's age and delicate nature. Extremely flexible and comfortable when worn. The approximately 224 rose-cut diamonds are near colorless and decorative in quality. The metalwork throughout is extremely fine and detailed, and the bracelet as a whole is very well made. Fitted with two safety closures.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion. Illustrations in the catalogue may not be actual size. Prospective purchasers are reminded that, unless the catalogue description specifically states that a stone is natural, we have assumed that some form of treatment may have been used and that such treatment may not be permanent. Our presale estimates reflect this assumption.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

After an apprenticeship with the Milan firm of Beltrami & Besnati, Mario Buccellati opened his own jewelry boutique in 1919. With his exquisite designs and extraordinary attention to detail, he quickly rose to prominence, acquiring important patrons such as Maria Cristina, the Queen Mother of Spain, shortly after striking out on his own. Inspired by Venetian lace, his openwork designs showcased the painstaking and exacting work that became synonymous with the Buccellati name.

The three pieces offered here provide a glimpse into Mario Buccellati’s early career. Delicate, ornate and intricate gold work combine with precious gems to create extraordinary – and wearable – works of art. The bracelet, in particular, showcases the skill of the Buccellati workshop. A small saw was used to form each individual open cell, each of which would then be polished by a burin. The ultimate product has an impressive lightness and flexibility and feels like the fine lace that inspired the design. For Buccellati, jewelry was a family business, and his children and grandchildren have perpetuated his legacy through today. And though styles and fashions have changed immeasurably in the near-century since he founded his store, their designs continue to show the timelessness of Mario Buccellati’s art.