Nicola Maria Rossi

Heli de Talleyrand, Duc de Talleyrand, Paris;
His sale, Paris, Christie's November 26, 2005, lot 281;
There purchased by the present collector.

The canvas is relined and the surface is a little pressed as a result. There is scattered thinness in the clouds, though these are likely due to the original thin application of paint. The detail remains good, particularly in the architecture. Inspection under UV reveals a few tiny dots of retouching scattered here and there though no major damage is apparent. The varnish is slightly dirty and the painting may benefit from a fresh one. Offered in a carved painted frame with scattered scratches and nicks.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

A pupil of Francesco Solimena, Rossi spent his career in Naples and Austria, having been summoned to Vienna in 1726, becoming one of the most sought after artists of his day as a portraitist and a decorator. His most prestigious patrons included Count Harrach, Viceroy of Naples and Sicily and, subsequently King Charles III of Naples and his court. The present bozzetto has not yet been linked to any particular commission, although it is typical of the baroque style employed by Rossi in his decorative schemes.

When last sold in 2005 (see Provenance) Professor Nicola Spinosa suggested the attribution to Rossi, based on photographs.