L12230

/

Lot 4
  • 4

Italian, Umbria, mid-13th century

Estimate
15,000 - 25,000 GBP
Log in to view results
bidding is closed

Description

  • Virgin and Child, or Maestà
  • polychromed wood, on a later bronze base
  • Italian, Umbria, mid-13th century

Provenance

Avv. Albrigli, Italy, circa 1968;
with Galleria d'Orlane, Casalmaggiore, Cremona, circa 2007;
private collection, Milan, Italy

Condition

Overall the condition of the wood is good with minor dirt and wear to the surface consistent with age. There are metal rings to the Virgin's ears. There are minor losses and non-active woodworming to the edges. The paint has been refreshed and stabilised. The bronze base is later.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

In the 13th century Umbria was one of the main centres for the production of wood sculpture in Italy. Maestà's from the region can still be found in churches and museums throughout the country. Well-known examples include the Madonna and Child in the abbey of Sant'Antimo in Montalcino, Tuscany. Sculpture from the region is usually characterised by fluid, rounded shapes and lines, which are most summary in the earliest examples. Another typical feature is the representation of the Christ Child with his arms open in blessing.

RELATED LITERATURE
A. Frosini, Scultura lignea dipinta nella Toscana medievale. Problemi e metodi di restauro, San Casciano, 2005, p. 70 and 116; C. Fratini (ed.), All'ombra di sant'Ercolano. Sculture lignee tra Medioevo e Rinascimento nella Diocesi di Perugia, exhib. cat. Museo del Capitolo di San Lorenzo, Perugia, 2009, pp. 89-91, no. 2