- 129
Nikos Engonopoulos
Description
- Nikos Engonopoulos
- The Death of Archimedes, with Syracuse in flames
- signed in Greek lower left
- oil on canvas
- 56 by 46cm., 22 by 18in.
Provenance
Private Collection, Greece (a relative of the stage-director Socrates Karandinos, acquired from the artist)
Acquired from the above by the family of the present owner
Literature
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
Painted circa 1950-1960, the present work depicts the assassination of the Greek mathematician Archimedes at the hands of a Roman soldier. During the Second Punic War, the Syracusians defended their city during a protracted siege, using defensive weapons devised by Archimedes including the legendary Claw of Archimedes (rumoured to have lifted Roman ships out of the water) and using the heat of the sun to set fire to enemy ships.
However, the Romans successfully captured the city circa 212 BC and discovered Archimedes contemplating a mathematical diagram. When Archimedes, engrossed in his mathematical problem, refused to meet the Roman general Marcus Claudius Marcellus, he was slain by the enraged soldier. By tradition Archimedes' last words are said to have been "Do not disturb my circles", and it is this moment which Engonopoulos depicts here, with Archimedes at a blackboard, and geometric shapes at his feet.
It was the Greek theatre director Socrates Karandinos who suggested to Engonopoulos the subject of the present work, while the artist was designing stage sets for Karandinos' plays.