A CHINESE PAINTED ENAMEL DOUBLE-GOURD VASE QING DYNASTY, QIANLONG PERIOD

the body enameled with flowering and fruiting double-gourd vines interspersed with butterflies

John Sparks, Ltd. (according to label)

There is an area of restoration above the foot half way around the body. An area of missing enamel approximately 1 in. by 1/2 in. above the dented foot rim. The enamel loss extends to interior of the base approximately 1 1/2 in. A star-crack to enamel on the base. A small enamel chip to center of upper bulb. There are light scratches to the surface.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

The design is rich in symbolism; the gourd and butterflies constitute a rebus for numerous descendants, gua die mian mian. The doubly auspicious design of a gourd-shaped vessel decorated with gourds was especially favored by potters at the Imperial kilns at Jingdezhen, see a Qianlong mark and period blue and white double-gourd vase decorated with trailing vines and bats illustrated in The Complete Collection of Treasures of the Palace Museum: Blue and White Porcelain with Underglazed Red (III), Shanghai, 2000, pl. 129.

A similarly decorated double-gourd vase with gilt-metal appliqués from the Collection of Iver Munthe Daae was sold Sotheby's London, July 12, 2006, lot 146 and subsequently at Christie's Hong Kong, May 27, 2009, lot 1947.