- 60
Gulay Semercioglu
Description
- Gulay Semercioglu
- Pure (From the Erotic Line Series)
- signed, titled Pure and dated 2011 on the reverse
- wire and screws on wood
Literature
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
Gulay Semercioglu has rapidly become one of the most sought-after contemporary female Turkish artists recognised instantly for her unique and effective use of wire, colour and space. Always working toward the intention of becoming a minimalist painter, Semercioglu moved away from this idea to be able to work with illusions and mediums that reflect light and that can be physically engaging for the spectator. From a distance, her works look like finely executed monochrome abstract paintings, but at closer inspection it becomes clear that the finish is distinctive; eight kilometres of thin aluminium wire filling the canvas to create undulating forms and rhythms. Semercioglu has managed to trick the eye for a moment, only later revealing the true material and character of the physically created space of these sculptures.
Through this labour intensive method, Semercioglu represents her knitting process almost as a form of meditation and although she tends to use single colours, the reflection of the light on the wire changes the appearance of the works to give it a further kinetic quality.
Semercioglu feels an affinity to architecture and this is seen by the three-dimensional aspect and sculptural quality of her works. However, she identifies her works as paintings and situates them in the tradition of the history of painting. Due to this, they are connected to and draw references from various art movements such as Op-Art, Colour-Field painting, Minimalism and Constructivism.