L12133

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Lot 146
  • 146

Mary Swanzy, H.R.H.A.

Estimate
10,000 - 15,000 GBP
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Description

  • Mary Swanzy, H.R.H.A.
  • The Harvesters
  • signed and dated l.l.: SWANZY 1943
  • oil on canvas
  • 56 by 76.5cm., 22 by 30in.

Provenance

Gift of the artist to the previous owner;
Their sale, Whyte's, 26 November 2007, lot 58, where bought by the present owner

Exhibited

Dublin, Painter's Gallery, Mary Swanzy, 1943

Condition

STRUCTURE Original canvas. It undulates and could be tightened on its stretcher. There are fine vertical lines of cracking across the surface and a pin hole in the lower right corner. ULTRAVIOLET LIGHT Under UV light there appear appears to be a small spot of retouching near the bottom of the right-hand figure's shirt, near the right edge. FRAME Held in an attractive light wood frame.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Mary Swanzy's paintings during the Second World War were deeply personal, and often characterized by a dark and sorrowful mood. The Harvesters is no exception, and appears to mourn the loss of a bucolic way of life, felt more sharply against the horrors of modern war. Swanzy never explained her paintings fully, enjoying the mystery they held for their new owners, remarking, 'I'd very much like to know how the people who have them christened them, what they meant to them' (quoted in Una Lehane, The Irish Times, 29 March 1974).
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