- 505
A Fatimid Marble Jar Stand (Kilga), Egypt, 10th/11th Century
Description
- marble
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
inscriptions
On the upright part:
al-mulk/ li'llah
'Sovereignty is God's'
Around the rim:
baraka ... wa ni'ma .... baraka
'Blessing ...... and [God's] Grace ... blessing'
The fine example of a jar stand, or kilga, which stands on four grooved legs and is carved on the sides with architectural arches and kufic inscriptions along the sides of the basin, can be admired for its strong sculptural quality.
Unique to Egypt and strongly associated with the Fatimid and Ayyubid dynasties, examples of such kilgas are known with both Coptic iconography and Arabic inscriptions. They were intended to be used as supports for unglazed terracotta water jars. The porous clay of the jar would allow water to slowly trickle through, cooling the liquid contents which would then collect in the basin.
A similar jar-stand was exhibited in Fatimid Treasures from Cairo at the Institut du Monde Arabe, Paris (Paris 1998, p.180, no.126).
For a full discussion of marble jar-stands originating in Egypt, see Elfried R. Knauer's article in the Metropolitan Museum Journal, New York, vol. 14, 1979, pp.67-101.