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An Illustrated and Illuminated Leaf from a Manuscript of Firdausi's Shahnameh signed by Mu'in Musavvir: King King Shapur Receives the Defeated Roman Emperor, Persia, Isfahan, circa 1660
Description
- Gouache with gold on paper
Provenance
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
The present illustrated bifolium and the following single leaf both originate from a now dispersed manuscript of the Shahnameh, various leaves of which are signed by Mu'in Musavvir. Three leaves from the same manuscript are in the Metropolitan Museum of Art, New York (Acc.Nos.1975.192.24-26), all of which are signed beneath the margin, and two of which bear the same inventory sticker (presumably Ettinghausen's) as the present and following lot. A further leaf is also in the Brooklyn Museum of Art (Acc.No.34.6012). This latter leaf shares similar use of colour to the present scene, and also the floral treatment to the bottom of the painting.
The gifted Mu'in was one of the most prolific artists of the later Safavid period. Born in 1617, Mu'in flourished for 72 years, producing single page drawings and paintings in addition to several complete manuscripts. As we can see in the present example, the style is typically Persianate, a characteristic of Mu'in, at a time when many of his contemporaries became increasingly influenced by European prints.