L12223

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Lot 126
  • 126

An Abbasid Lustre Bowl with geometric pattern, Iraq, 9th century

Estimate
15,000 - 20,000 GBP
bidding is closed

Description

  • ceramic
the earthenware body of deep rounded form with an everted rim, painted in earth-hued lustre tones on an opaque white glaze, decorated with geometric patterns emanating from a flower in the centre, the exterior with spotted splashes of colour, old label to reverse: "Islamic Art Circle Exhibition, Victoria and Albert Museum, 1969, Cat.no.21."

Provenance

ex-Croisier Collection, Switzerland

Exhibited

Islamic pottery 800-1400 AD, an exhibition arranged by the Islamic Art Circle, Victoria and Albert Museum, London, 1 October-30 November 1969.
Céramiques du Monde Musulman, Institut du Monde Arabe, Paris, 1999.

Literature

Islamic pottery 800-1400 AD, an exhibition arranged by the Islamic Art Circle, Victoria and Albert Museum, London, 1 October-30 November 1969.
Céramiques du Monde Musulman, Institut du Monde Arabe, Paris, 1999, p.91.

Condition

In fairly good condition, once broken and restored with associated overpainting and some minor areas with plaster infill, parts of surface rubbed as consistent with age, as viewed.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

This bowl's elegant curvilinear shape, with a very low base and rounded edges that fit perfectly in the hands, derives from earlier Chinese models. It demonstrates the influence of Chinese pottery on Near Eastern ceramic production, from material to shape.