PF1205

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Lot 21
  • 21

Karel Appel

Estimate
250,000 - 300,000 EUR
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Description

  • Vache de Polder
  • signé et daté 52; signé, titré et daté Paris 1952 sur le châssis
  • huile sur toile

  • 81,5 x 116 cm; 32 1/8 x 45 11/16 in.

Provenance

Galerie Krikhaar, Amsterdam
Vente: Sotheby's, Londres, 3 décembre 1987, lot 607
Vente: Sotheby's, Londres, 27 juin 2001, lot 56
Acquis lors de cette vente par le propriétaire actuel

Condition

The colours are fairly accurate in the catalogue illustration, athough the overall tonality is lighter in the original. The work is executed on its original canvas and it is not relined. The canvas is slightly sagging in the upper left corner. A very few thin cracks to the impasto are only visible under very close inspection. Under UV light, there is no evidence of any retouching. This work is in excellent condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Jean Dubuffet, Vache au pré noir, 1954, huile sur toile, 146 x 114 cm © Fondation Jean Dubuffet / ADAGP

« Comme Appel se retourne vers l'enfance, il rencontre en chemin l'animal. Appel, nous l'avons dit, a lu et relu les Chants de Maldoror en néerlandais. Son bestiaire fantastique vient peut-être de là. Les animaux, nombreux dans la représentation d'Appel sont toujours des animaux « dénaturés », des animaux même tout à fait imaginaires ». (Michel Ragon, Karel Appel, Paris, 1988, p.202)