PF1205

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Lot 101
  • 101

Hans Hartung

Estimate
20,000 - 30,000 EUR
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Description

  • Hans Hartung
  • Sans titre
  • signé et daté 52
  • pastel sur papier
  • 48 x 72 cm; 18 7/8 x 28 5/16 in.

Provenance

Galerie Daniel Cordier, Paris
Acquis auprès de celle-ci par le propriétaire actuel

Condition

The colours are fairly accurate in the catalogue illustration, although the overall tonality is lighter in the original. The work is executed on paper. The sheet is taped to the mount along the four edges. Are only visible under very close inspection, some artist's pinholes : - 3 at the extremity of the upper left corner - 3 in the middle of the left edge - 2 at the extremity of the lower left corner - 2 in the middle of the lower edge - 1 at the extremity of the lower right corner - 2 in the middle of the right edge - 1 at the extremity of the upper right corner - 3 in the middle of the upper edge. This work is in excellent condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

« Affrontements de formes, départs de courses, mises en évidence de ressorts, grillages dénoués, circulations contraires résolues en faisceaux, croix sombres sur des clartés, croisements clairs sur des ombres, dialogues d'une courbe et d'un point, d'une épaisseur et d'une finesse, joie ascendante de traits divergents, effacement d'on ne sait quoi par des traits qui superposent leur dynamisme sur une présence à oublier, succession d'atterrissages et de décollages. Tout circule. » (Pierre Descargues, Hartung, Paris, 1977, p.77)