David Wu Ject-Key

signed in pinyin and Chinese and stamped with the artist's seal; dated 40.11 on the reverse

Important Private American Collection

This work is overall in very good condition. The canvas is relined with wax adhesive. There are two minor paint losses near the top left corner. There are slight craquelures across the surface. There is no evidence of restoration under UV light.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

"When painting a portrait the first thing I do is to study the person who is to be painted. I want to find out what his social position is and his character. If I do a society woman who is maybe rather homely looking, I stress the dignity and elegance, in this way the not so good features are minimized. To me, painting a portrait means getting the personality behind the surface in addition to a likeness; a photographic likeness alone will not look right, something will be lacking to make it that particular person."

D. Wu Ject-Key, Tradition, The Artist Magazine, October Issue, 1958