N08816

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Lot 62
  • 62

Robert Baribeau

Estimate
8,000 - 12,000 USD
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Description

  • Robert Baribeau
  • Untitled
  • signed and dated '95 on the reverse
  • acrylic and mixed media on canvas
  • 88 by 72 in. 147.2 by 182.9 cm.

Provenance

Acquired directly from the artist

Exhibited

New York, Allan Stone Gallery, Robert Baribeau & Diana Moore, March - April 1995

Condition

This work is in very good condition overall. There are scattered areas of fine and stable craquelure particularly in the heavily impastoed areas. The collaged elements exhibit evidence of slight undulation and lifting. There are scattered spot accretions which fluoresce brightly under ultraviolet light. Under further ultraviolet light inspection, there is no evidence of restoration. Framed.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

"Robert Baribeau, a disciple of the New York School's Abstract Expressionism, adds his own contemporary spin to that tradition. By allowing the natural impulse of his materials to spot, drip and smudge, Baribeau paints raw, tactile surfaces that are a feast of juicy strokes, stripes, polka dots, and other collaged textures and patterns. There is a dynamic tension in Baribeau's work between a surface of powerful exuberance and a sense of anomie. The splashed, scratched and scored surface is further enlivened by the collaged squares of polka-dot fabric, as well as by densely layered sheets of paper whose glued-down edges create seams that serve as a rough grid beneath the skin of the pigment, providing a casual armature to anchor the freely floating form."

- Allan Stone