- 621
Prosper D'Epinay, 1836-1914
Description
- Prosper d'Epinay
- Bust portrait of Empress Maria Feodorovna of Russia
- inscribed Latin signature P. D'Epinay
- marble
- height: 63.5cm, 25in.
Provenance
Literature
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
The offered bust portrait of Maria Feodorovna represents the Empress in her full court-dress wearing a sash and a Star of the Order of St. Catherine, a tiara imitating a Russian kokoshnik with a veil and pearl and diamond jewellery. The original portrait was painted by Ivan Kramskoy in 1882 after the birth of her sixth child, Grand Duchess Olga Alexandrovna.
Prosper d'Épinay was born in Mauritius in 1836, the son of the prominent lawyer and politician, Adrien d'Épinay. In 1857 he moved to Paris to study caricature under the sculptor Jean-Pierre Dantan, and, from 1861, he worked in Rome for Luigi Amici. A British subject, he worked in London during the 1860's and 70's, and, despite eventually settling in Paris, he continued to exhibit at the Royal Academy in London until as late as 1881.
At the height of his popularity in the 1880s he received several commissions from Alexander III and his brothers, Grand Dukes Sergei, Pavel and Alexei, and several of his works are in the collection of the State Hermitage Museum in St. Petersburg. In one of his letters dated 20th February 1887 he writes: "I was commissioned by the Emperor to make a bust of the Empress. He would like it to act as pendant to the one of his mother". Two versions are known to exist one in plaster and one in marble. The plaster bust is preserved in the family of the artist, but the whereabouts of the marble one were unknown until now.