- 266
Vitaly Komar and Alexander Melamid
Description
- Vitaly Komar and Alexander Melamid
- Onward to the Victory of Communism
- signed in Latin l.r.
- cloth with painted lettering
- 50 by 191cm, 19 3/4 by 75 1/4 in
Provenance
A gift from the artists to Douglas Davis in 1974, during his Newsweek Magazine sponsored trip to Moscow
Acquired from the above in the mid 1990s by the present owner
Literature
Condition
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
Executed in the early 1970s.
The Russian conceptual art duo Komar and Melamid collaborated with American conceptual artist Douglas Davis (b.1933) in the mid 1970s. The fruits of their work together was a conceptual series called 'Questions New York Moscow, New York Moscow' in 1976 (today in the Metropolitan Museum of Art, New York). The offered lot was given by the artists to Davis when he was in Moscow in 1974. Although undated, it belongs to a small group of slogan works which were made in the early years of Sots Art, an influential moment conceived by the duo, in part inspired by American Pop Art, which lasted for several decades and is still informing contemporary Russian art today.
The banner can be seen as a rare piece of Russian conceptual art with considerable historical importance. It is a type of 'ready-made', although rather than taking a mass-produced object in this case the artists have painted the banner themselves, tracing the well-worn slogan and signing their names. The work plays with Soviet mass culture in a complex interaction, in some ways similar to Pop Art's appropriation of advertising imagery. For a comparable work, see, 'Our Goal – Communism' (1972) in the collection of the Jane Voorhees Zimmerli Art Museum, New Brunswick, US.