Italian, Florence, 17th century

There is an old iron and steel support to the reverse, embedded with cement. There is overall weathering to the surface consistent with age. There is general flaking to the surface notably to the left cheek and to the right of the mouth. There are some fissures above the proper right eyebrow and inbetween the eyes. There is damage to the nose and to the hair above the forehead on both sides.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

The present mask compares with mannerist carvings by Andrea Calamech (c. 1514–78), who was born in Carrara and worked for a time in Florence, but spent most of his career in Messina. He played an important role in establishing a vogue for Tuscan mannerist influences in Sicily.

RELATED LITERATURE
F. Negri Arnoldi, Scultura del Cinquecento in Italia Meridionale, Naples, 1997, no. 124