Flemish, Brabant, early 16th century

with a circular white label numbered: 461 in black ink and a fragmentary label printed: M.T.A. to the reverse

Overall the condition of the wood is good. There is some wear and dirt to the surface consistent with age. There is some minor worming and stable splitting consistent with material; an area of small splits on the reverse was stabilised with paper. There are some minor losses including along the top edge and to the proper right hand of Mary and the Crown of thorns. The rocky outcrop on the top is loose due to a crack restored with wax. There is a later insert to the left half of its tip.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

A similarly organised Entombment marked for Brussels can be found in the Bowes Museum (inv. W123.1018.1023). It shares the slanting terrasse, geometrical pattern on the tomb and vertically oriented composition of the attendants.

RELATED LITERATURE
J.W. Steyaert and M. Tahon-Vanroose, Late Gothic sculpture. The Burgundian Netherlands, exh. cat. Museum voor Schone Kunsten, Ghent, 1994, pp. 160-161, no. 29A-B