- 552
Giovanni Battista Gaulli, called Il Baciccio
Estimate
7,000 - 9,000 USD
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Description
- Giovanni Battista Gaulli, called Il Baciccio
- The supper at Emmaus
Pen and brown ink and gray wash over black chalk
Condition
Sold in attactive carved and gilded frame. The drawing is hinged at the edges. The sheet appears to have been cut slightly at the upper edge. It has some very tiny, light fox marks near the lower left corner, and two very light brown stains in the upper corners. The ink is silghtly sunk in parts. Otherwise in very good condition- the paper clear and fresh.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
Considering how many drawings by Gaulli survive, there are relatively few compositional drawings by the artist. The present sheet does not relate to any known painting, but is similar in approach to a compositional study by Gaulli in the Kunstmuseum, Düsseldorf, depicting Lot and his Daughters.1
1. See D. Graf, Die Handzeichnungen von Guglielmo Cortese und Giovanni Battista Gaulli, Düsseldorf 1976, vol. I, p. 141, cat. no. 437, vol. II, p. 266, fig. 564